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Re: How to design Serbian Cyrillic PART 2 — True Italics
Thanks, Dan. I was struggling to remember the name Breitkopf yesterday. I’ll go check Carter’s list: it will be interesting to see which, if any, of the weirder things might have originated there.I h…3 -
Re: How to design Serbian Cyrillic PART 2 — True Italics
A lot of the script and language materials in Fournier’s Manuel are essentially fantasies, in which a tradition dating back to the late Middle Ages that includes things like imaginary angelic scripts…4 -
Re: Mixfont Update - seeking a designer to help complete an AI-generated font
Erik van Blokland On generative AI: The whole blog post is worth reading.7 -
Re: How to design Serbian Cyrillic PART 2 — True Italics
I think the shape of your л is introducing a number of problems. The triangular part is small and tight, which makes it difficult to balance with the bowl in the Balkan љ. The lambda shape works best…2 -
Re: Marktune, small utility for fixing Arabic mark collisions
The Middle East version of InDesign included a mark positioning adjustment tool, with presets for tight and loose positioning, as well as enabling overrides for individual selected marks. It wasn’t p…1
